Pamela Chatterton-Purdy



Selections from Icons of the Civil Rights Movement


Artist's Statement


As an artist, I was educated to believe that a piece of artwork should be created to “speak” to the

viewer in every sense of the word. The people, places, and events of the Civil Rights Movement,

and particularly its philosophy and practice of non-violence, led me to believe there was a “Holy

Spirit” dimension to this movement. The faith and courage of those who demonstrated for equal

rights despite terrorism, assassinations, and humiliation during the 1950s and ‘60s was

extraordinary. In a world where African-Americans were treated as subhuman, these ordinary

people who risked physical harm, imprisonment, and death knew that they were the beloved and

precious children of God.



My husband, David, and I were married in June of 1963. That August we witnessed the March on

Washington. In September, I was hired as an art editor at Ebony Magazine in Chicago. A few weeks

later, the 16th Street Baptist Church in Birmingham was bombed, killing four little girls. We were

soon immersed in the Civil Rights movement.



We adopted our first African-American son in 1971. He was three years old and we added him to

our family of two biological daughters, ages five and two. In 1975, at the fall of Saigon, we adopted

our biracial son, his mother Vietnamese, his father a black American soldier. We learned personally

and as a family the sting of racism.



In 2004, David and I went with a large group of high school students on a “Sojourn to the Past:

Taking History into the Future.” On this extensive trip to the South, we visited many iconic places

where events of the Movement had happened. We also were privileged to meet numerous people

who had played crucial roles in the Movement. Following our return, I decided to do a series of

paintings to celebrate, honor, and commemorate the people and places of the Movement.

In the fall of 2007, in preparation for this task, I took a week-long gold leaf workshop in New

Hampshire. A spiritual author, Madeleine L’Engle, once observed that “an icon is a window to

God.” By then, I knew I wanted do this series in an “iconic” form reflective of the equality of all

God’s children. Before I began the workshop, it was my intent to use canvas in a manner similar to

my previous series, Icons of 9/11. However, wood was used in the workshop on which the gold leaf

was applied. Therefore I decided to use wood panels to build each civil rights icon. Scripture, wood,

and found objects became the materials that spoke to me. The durability of wood, the sacredness of

gold leaf, the possibilities of found objects were endless. Each icon was designed to highlight the

uniqueness of each person or event. I began with an undercoating of red paint, which I deliberately

allowed to break through the gold leaf symbolizing the Holy Spirit and the blood sacrifice. Even

the shape of each icon was designed to suggest to the viewer either a holy tablet, a monument, a

bridge, a cross, or even a headstone.
 


It is my hope that The Icons of the Civil Rights Movement will commemorate and honor the

people whose sacrifice, in the name of justice, might never be forgotten.


Emmett Louis Till
Bloody Sunday
Fannie Lou Hamer
Jimmie Lee Jackson
Goodman, Chaney, Schwerner
Medgar & Myrlie Evers
Rosa Parks
Rev. Dr. Martin Luther King, Jr.
The Little Rock Nine
The Sit-Ins
The Freedom Riders
The Children's Campaign
The 16th Street Baptist Church Bombing



Editor's note:
In addition to appearing in her book Icons of the Civil Rights Movement,

published in October 2013 with text by Rev. Dr. David A. Purdy, many of these icons have appeared

in the following publications: The Progressive Christian, Tikkun, City of Promises: A History of

the Jews of New York (NYU Press, 2012), and The Christian Century. For more information on the

series, please visit Pamela's website





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